Next screening "The Girl with the Dragon Tattoo"

Thursday 21st October 2010  |  6.30pm
A mystery wrapped in a riddle, stamped with a tattoo. 

* * * *  ABC's At the Movies

In 2009 The Girl With the Dragon Tattoo was the most successful film in Europe, despite not having a UK or Ireland release. The impetus was the success of Stieg Larsson’s posthumous Millennium Trilogy – The Girl With the Dragon Tattoo, The Girl Who Played With Fire and The Girl Who Kicked the Hornet’s Nest – which have become a publishing phenomenon, shifting approximately 30 million copies worldwide with little sign of the sales abating.


Synopsis

Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her beloved uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist (Michael Nyqvist) and the tattooed and troubled but resourceful computer hacker Lisbeth Salander (Noomi Rapace) to investigate. When the pair link Harriet’s disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history. But the Vanger’s are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves.

Everyone has secrets in the "The Girl With the Dragon Tattoo," a mind-bending and mesmerizing thriller that takes its time unlocking one mystery only to uncover another, all to chilling and immensely satisfying effect. 

BETSY SHARKEY, Film Critic

Rated MA15+
Running Time - 152 mins  |  Language Swedish  |  Country Sweden



Trailer
http://www.abc.net.au/atthemovies/txt/s2844452.htm



Heckle & Jeckle's squawk on 'Bliss'

"Bliss" was not quite blissful, perhaps if it had finished 30 minutes earlier it may have been. That, however, is one opinion, which may not reflect the Reels members, as Bliss received 4 stars in the starbox rating a little bird told me.

What was interesting was the reaction to many of our members after the screening, ‘what was so confronting?’ When it was first released in the 1980s Bliss had people walking out of cinemas, received an R rating and major distributors refused to screen the film. It then became an art-house classic.



We viewers in 2010 didn’t find Bliss confronting at all – well I can’t speak for all the audience – only about a dozen with whom I managed to have a chat. So much in the film was intimated, as opposed to being shown in great detail and today seems rather tame. One of our members thought that Harry was at heart a decent man, who was sucked into the vortex of vacuous human endeavours but then manged to escape the confines of concrete jungles and office cells.

What hasn’t changed over the years are the elements of the story about the human condition – greed, relationships, love, hate, seeking for true meaning of life, destruction of our environment, redemption.

Seeing the movie again after all those years has, however, made me want to go out and re-read the novel.

That's the squawk for now. Original squawkers will be back soon with their entertaining reviews.

Next screening "Bliss - the Director's Cut" & our AGM

'Bliss - the Director's Cut' will be the film for our next Reels event, Thursday 29th July.

Annual General Meeting- prior to the screening we will hold our AGM. All roles on the committee will be vacated and the current committee is welcoming new members. We especially need help with the promotions,
setup, setdown.

AGM 5.30pm Thursday 29th July 2010 at Wehl Street Theatre.

'Bliss - the Director's Cut'
Thursday 29th July 2010

6.30pm pre-screening wine
7.00pm film commences

"Bliss" has been re-released with the Director's Cut. This coincides with Bliss the opera, that has been playing in Australia and has now ventured overseas.

Synopsis

Bliss is the acclaimed movie based on Peter Carey's award-winning novel, Bliss, and the debut film of celebrated director Ray Lawrence (Lantana, Jindabyne)

Following a four-minute death from a heart attack, Harry Joy (Barry Otto) returns to life finding the certainties of his former existence have entirely vanished. The world he previously knew, which saw him drifting amiably through life as a successful advertising executive, has become a literal living Hell. His wife Bettina (Lynette Curran) is in a sordid affair with Harry's business partner (Jeff Truman) and his teenage son (Miles Buchanan) engages in an incestuous relationship with his sister (Gia Carides) - exchanging drugs for sex with her... All around him people are dying of cancer and Harry's advertising agency has taken to promoting carcinogenic products.

Harry is convinced he actually is living in Hell and befriends an angel in the form of ex-prostitute Honey Barbara (Helen Jones) to return him to happiness.

History

To say it was ahead of its time is an understatement – the boldness of its metaphors and the sharpness of its satire were too much for many people in 1985. Indeed, the film was almost stillborn after 400 people walked out during its first screening at the Cannes Film Festival (another 1,600 stayed). No Australian distributor would touch it, especially once it received an ‘R’ classification, because of the depiction of incest between Harry’s children, David and Lucy (Gia Carides). The classification was overturned on appeal and the film eventually opened in the smallest cinema in Sydney, a former newsreel theatre with 130 seats. A couple of glowing reviews helped it to find an audience that kept growing. When the film won the AFI Awards for Best Picture, Best Direction and Best Adapted Screenplay for 1985, Bliss had become an art-house hit. It played for six months in Sydney and around the country.
(source http://aso.gov.au/titles/features/bliss/notes/)

Trailers & further information

The film http://aso.gov.au/titles/features/bliss/

The opera http://www.abc.net.au/7.30/content/2009/s2781757.htm

Heckle & Jeckle's squawk on 'Cold Souls'

HELLO FROM HECKLE AND JECKLE
Well, we really liked last night's weird film. 4 stars from both of us.
It took us a while to work out what was going on - was it of the old genre of the cold war, spies and espionage or was it about people smuggling? However, as it rolled on the penny dropped and we found ourselves very engrossed in the adventures of Paul (no snores from Jeckle this time) and his abandoned soul. What an imaginative and strange story.

To us, Paul was a very likeable character and his facial expressions were marvellous. In fact we liked all the characters except for the Russian "boss" (can't remember his name).

We decided that the moral of the story is to be comfortable with and accept yourself, no matter what your short comings.

Good choice committee. Thank you.
SQUWARK !!

POST SCRIPT
It was great that people hung around afterwards. The film had a lot of people nattering in the foyer, so Heckle hopped around surreptitiously and did some eavesdropping. The most interesting comment overheard was that this film about souls did not mention religion once. Excellent observation.

Heckle also reports that the latest Nova film seen is, I Am Love. In a word - Divine ! The great news is that the committee is negotiating for us to see it, so I will say no more at this stage.

Over and Out for sure this time.
SQUAWK !!

Next screening "Cold Souls" [USA/Russia]

"Cold Souls" screens Thursday 8th July 2010
6.30pmpre-screening drinks and nibbles
7pmfilm screens

**** Margaret ***.5 David from ABC's At the Movies

"Much of cinema is so predictable these days. COLD SOULS isn’t." Margaret Pomeranz


Paul is an actor who feels bogged down by his participation in a production of Chekov's play, Vanya.

A soul searching comedy, from the hustle and bustle of New York City to the snow-bound streets of Moscow, Cold Souls is a surreal comedy in the vein of Being John Malkovich. Paul Giamatti stars as Paul Giamatti, an actor agonizing over his interpretation of the famously difficult role of Chekhov's Uncle Vanya in a new Broadway production.

Paralyzed by anxiety, he stumbles upon a solution via an article in the New Yorker about a high-tech company that promises to alleviate suffering by extracting the soul. Giamatti engages their services, but finds to his horror that his soul has the size and shape of a chickpea… But when he finds his life without a soul, well, soulless, Giamatti decides he wants his soul back—only to discover that it has been stolen by a mysterious soul-trafficking mule for re-introduction into an aspiring Russian soap starlet.

Giamatti is joined by David Strathairn ( Good Night and Good Luck ), Emily Watson ( Punch Drunk Love ) and Six Feet Under ’s Lauren Ambrose in this mind-bending response to bigger, better, shinier American consumerism—a dazzlingly inventive comedy which walks a tightrope between humour and gravity, reality and fantasy. {Synopsis courtesy Madman}

Classification M
Genre Comedy Drama
101 minute

Director: Sophie Barthes
Lead actor: Paul Giamatti
Cast: David Strathairn, Dina Korzun, Emily Watson, Katheryn Winnick, Lauren Ambrose


Trailer
http://www.madman.com.au/actions/video.do?method=view&videoId=1688

Margaret & David’s review
http://www.abc.net.au/atthemovies/txt/s2738624.htm

A squawk from Heckle & Jeckle re My Tehran for Sale

A SQUAWK FROM HECKLE AND JECKLE
We have been very remiss lately with handing in our reviews. We have a good excuse though. We went on a 5 week holiday, then poor old Heckle got the flu, along with half the population of Mount Gambier. Anyway we are back on track now. It is so good to see that the audience numbers are pretty consistent despite the chilly weather.

My Tehran for sale was deserving of 3 1/2 stars in my estimation (Heckle's opinion only). Being one of those "dreadful, bleeding heart" refugee sympathisers, I found the familiar storyline heartbreaking and depressing, but the characters were endearing, especially Marzieh, the young woman seeking asylum. She was wonderfully stoic and dogged in her determination to escape to a life free of the danger of the vengeful men in her family. At times there were some rather long drawn out parts of the story, which seemed unneccessary, but I thought it was well done. Congratulations team on a good choice.

A short footnote here. Once again during a recent jaunt to Adelaide to see our brilliant children, we made it to another film at the Nova to see The White Ribbon. This was as excellent as Margaret and David have reported. A very grim story with sinister undertones of malevolence in the children and adults of a small German village. Filmed in black and white, the story was set during the period just before the first world war.

This is nothing to do with films, but we also went to see Big Mother, the newly acquired exhibit at the Art Gallery. It is absolutely amazing in that it is so incredibly lifelike. We loved it. It stirred all sorts of emmotions though - a degree of horror, affection and empathy but also for me a very deep sadness for some reason. Anyway go and see it.

My Tehran for Sale

“A brave and absorbing film ... unique. I want to see it again” Evan Williams, The Australian

4 stars, “…an ode to a city under cultural siege” Margaret Pomeranz, At the Movies

Marzieh is a young female actress living in Tehran. The authorities ban her theatre work and, like all young people in Iran, she is forced to lead a secret life in order to express herself artistically.

At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.

Shot entirely on location in Tehran, MY TEHRAN FOR SALE tells the story of modern day Iranian youth struggling for cultural freedom. It brings to the screen never before seen images of modern urban Iran, and reveals how young Iranian people live behind closed doors.

MY TEHRAN FOR SALE is the first Iranian/Australian feature film collaboration and is the directorial debut of contemporary poet Granaz Moussavi.

Writer-director Granaz Moussavi is an established Iranian poet with several volumes of published verse. Migrating to Australia in 1997 with her family at the age of 22, she went on to graduate in filmmaking and editing. With this debut feature she returns to her native Tehran, employing former friends as lead actors and imbuing her fact-based tale with an angry personal intensity.

Strikingly attractive, if unrelentingly mournful, Marzieh Vafamehr dominates the screen as a dedicated fringe actress (also named Marzieh) who sees a rare opportunity to escape the state’s persecution of her art when she meets Saman (Chegini) at an illegal after-hours disco. He’s a tall, dark Iranian who, through his family’s emigration, now has Australian citizenship.The disco is raided by an outraged militia: “Do you think this is Europe?” one cries, lashing out. Marzieh and Saman start a relationship, become engaged and she begins the lengthy and often corrupt process of applying for a visa to enter the Australian ‘paradise’ that Saman talks about.

97 mins

Rated M

Iranian with English subtitles

Trailers

http://www.cyanfilms.com.au/projects_my_tehran_for_sale.html

http://www.abc.net.au/atthemovies/txt/s2738623.htm