A SQUAWK FROM HECKLE AND JECKLE
We have been very remiss lately with handing in our reviews. We have a good excuse though. We went on a 5 week holiday, then poor old Heckle got the flu, along with half the population of Mount Gambier. Anyway we are back on track now. It is so good to see that the audience numbers are pretty consistent despite the chilly weather.
My Tehran for sale was deserving of 3 1/2 stars in my estimation (Heckle's opinion only). Being one of those "dreadful, bleeding heart" refugee sympathisers, I found the familiar storyline heartbreaking and depressing, but the characters were endearing, especially Marzieh, the young woman seeking asylum. She was wonderfully stoic and dogged in her determination to escape to a life free of the danger of the vengeful men in her family. At times there were some rather long drawn out parts of the story, which seemed unneccessary, but I thought it was well done. Congratulations team on a good choice.
A short footnote here. Once again during a recent jaunt to Adelaide to see our brilliant children, we made it to another film at the Nova to see The White Ribbon. This was as excellent as Margaret and David have reported. A very grim story with sinister undertones of malevolence in the children and adults of a small German village. Filmed in black and white, the story was set during the period just before the first world war.
This is nothing to do with films, but we also went to see Big Mother, the newly acquired exhibit at the Art Gallery. It is absolutely amazing in that it is so incredibly lifelike. We loved it. It stirred all sorts of emmotions though - a degree of horror, affection and empathy but also for me a very deep sadness for some reason. Anyway go and see it.
We have been very remiss lately with handing in our reviews. We have a good excuse though. We went on a 5 week holiday, then poor old Heckle got the flu, along with half the population of Mount Gambier. Anyway we are back on track now. It is so good to see that the audience numbers are pretty consistent despite the chilly weather.
My Tehran for sale was deserving of 3 1/2 stars in my estimation (Heckle's opinion only). Being one of those "dreadful, bleeding heart" refugee sympathisers, I found the familiar storyline heartbreaking and depressing, but the characters were endearing, especially Marzieh, the young woman seeking asylum. She was wonderfully stoic and dogged in her determination to escape to a life free of the danger of the vengeful men in her family. At times there were some rather long drawn out parts of the story, which seemed unneccessary, but I thought it was well done. Congratulations team on a good choice.
A short footnote here. Once again during a recent jaunt to Adelaide to see our brilliant children, we made it to another film at the Nova to see The White Ribbon. This was as excellent as Margaret and David have reported. A very grim story with sinister undertones of malevolence in the children and adults of a small German village. Filmed in black and white, the story was set during the period just before the first world war.
This is nothing to do with films, but we also went to see Big Mother, the newly acquired exhibit at the Art Gallery. It is absolutely amazing in that it is so incredibly lifelike. We loved it. It stirred all sorts of emmotions though - a degree of horror, affection and empathy but also for me a very deep sadness for some reason. Anyway go and see it.
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