Friday, July 16, 2010

Next screening "Bliss - the Director's Cut" & our AGM

'Bliss - the Director's Cut' will be the film for our next Reels event, Thursday 29th July.



Annual General Meeting- prior to the screening we will hold our AGM. All roles on the committee will be vacated and the current committee is welcoming new members. We especially need help with the promotions,
setup, setdown.

AGM 5.30pm Thursday 29th July 2010 at Wehl Street Theatre.




'Bliss - the Director's Cut'
Thursday 29th July 2010
6.30pm pre-screening wine
7.00pm film commences

"Bliss" has been re-released with the Director's Cut. This coincides with Bliss the opera, that has been playing in Australia and has now ventured overseas.

Synopsis
Bliss is the acclaimed movie based on Peter Carey's award-winning novel, Bliss, and the debut film of celebrated director Ray Lawrence (Lantana, Jindabyne)

Following a four-minute death from a heart attack, Harry Joy (Barry Otto) returns to life finding the certainties of his former existence have entirely vanished. The world he previously knew, which saw him drifting amiably through life as a successful advertising executive, has become a literal living Hell. His wife Bettina (Lynette Curran) is in a sordid affair with Harry's business partner (Jeff Truman) and his teenage son (Miles Buchanan) engages in an incestuous relationship with his sister (Gia Carides) - exchanging drugs for sex with her... All around him people are dying of cancer and Harry's advertising agency has taken to promoting carcinogenic products.

Harry is convinced he actually is living in Hell and befriends an angel in the form of ex-prostitute Honey Barbara (Helen Jones) to return him to happiness.

History
To say it was ahead of its time is an understatement – the boldness of its metaphors and the sharpness of its satire were too much for many people in 1985. Indeed, the film was almost stillborn after 400 people walked out during its first screening at the Cannes Film Festival (another 1,600 stayed). No Australian distributor would touch it, especially once it received an ‘R’ classification, because of the depiction of incest between Harry’s children, David and Lucy (Gia Carides). The classification was overturned on appeal and the film eventually opened in the smallest cinema in Sydney, a former newsreel theatre with 130 seats. A couple of glowing reviews helped it to find an audience that kept growing. When the film won the AFI Awards for Best Picture, Best Direction and Best Adapted Screenplay for 1985, Bliss had become an art-house hit. It played for six months in Sydney and around the country.
(source http://aso.gov.au/titles/features/bliss/notes/)

Trailers & further information

The film http://aso.gov.au/titles/features/bliss/

The opera http://www.abc.net.au/7.30/content/2009/s2781757.htm

Heckle & Jeckle's squawk on 'Cold Souls'


HELLO FROM HECKLE AND JECKLE
Well, we really liked last night's weird film. 4 stars from both of us.
It took us a while to work out what was going on - was it of the old genre of the cold war, spies and espionage or was it about people smuggling? However, as it rolled on the penny dropped and we found ourselves very engrossed in the adventures of Paul (no snores from Jeckle this time) and his abandoned soul. What an imaginative and strange story.

To us, Paul was a very likeable character and his facial expressions were marvellous. In fact we liked all the characters except for the Russian "boss" (can't remember his name).
We decided that the moral of the story is to be comfortable with and accept yourself, no matter what your short comings.
Good choice committee. Thank you.
SQUWARK !!

POST SCRIPT
It was great that people hung around afterwards. The film had a lot of people nattering in the foyer, so Heckle hopped around surreptitiously and did some eavesdropping. The most interesting comment overheard was that this film about souls did not mention religion once. Excellent observation.

Heckle also reports that the latest Nova film seen is, I Am Love. In a word - Divine ! The great news is that the committee is negotiating for us to see it, so I will say no more at this stage.
Over and Out for sure this time.
SQUAWK !!

Sunday, June 20, 2010

Next screening "Cold Souls" [USA/Russia]


"Cold Souls" screens Thursday 8th July 2010
6.30pmpre-screening drinks and nibbles
7pmfilm screens

**** Margaret ***.5 David from ABC's At the Movies

"Much of cinema is so predictable these days. COLD SOULS isn’t." Margaret Pomeranz


Paul is an actor who feels bogged down by his participation in a production of Chekov's play, Vanya.

A soul searching comedy, from the hustle and bustle of New York City to the snow-bound streets of Moscow, Cold Souls is a surreal comedy in the vein of Being John Malkovich. Paul Giamatti stars as Paul Giamatti, an actor agonizing over his interpretation of the famously difficult role of Chekhov's Uncle Vanya in a new Broadway production.

Paralyzed by anxiety, he stumbles upon a solution via an article in the New Yorker about a high-tech company that promises to alleviate suffering by extracting the soul. Giamatti engages their services, but finds to his horror that his soul has the size and shape of a chickpea… But when he finds his life without a soul, well, soulless, Giamatti decides he wants his soul back—only to discover that it has been stolen by a mysterious soul-trafficking mule for re-introduction into an aspiring Russian soap starlet.

Giamatti is joined by David Strathairn ( Good Night and Good Luck ), Emily Watson ( Punch Drunk Love ) and Six Feet Under ’s Lauren Ambrose in this mind-bending response to bigger, better, shinier American consumerism—a dazzlingly inventive comedy which walks a tightrope between humour and gravity, reality and fantasy. {Synopsis courtesy Madman}

Classification M
Genre Comedy Drama
101 minute

Director: Sophie Barthes
Lead actor: Paul Giamatti
Cast: David Strathairn, Dina Korzun, Emily Watson, Katheryn Winnick, Lauren Ambrose


Trailer
http://www.madman.com.au/actions/video.do?method=view&videoId=1688

A squawk from Heckle & Jeckle re My Tehran for Sale


A SQUAWK FROM HECKLE AND JECKLE
We have been very remiss lately with handing in our reviews. We have a good excuse though. We went on a 5 week holiday, then poor old Heckle got the flu, along with half the population of Mount Gambier. Anyway we are back on track now. It is so good to see that the audience numbers are pretty consistent despite the chilly weather.

My Tehran for sale was deserving of 3 1/2 stars in my estimation (Heckle's opinion only). Being one of those "dreadful, bleeding heart" refugee sympathisers, I found the familiar storyline heartbreaking and depressing, but the characters were endearing, especially Marzieh, the young woman seeking asylum. She was wonderfully stoic and dogged in her determination to escape to a life free of the danger of the vengeful men in her family. At times there were some rather long drawn out parts of the story, which seemed unneccessary, but I thought it was well done. Congratulations team on a good choice.

A short footnote here. Once again during a recent jaunt to Adelaide to see our brilliant children, we made it to another film at the Nova to see The White Ribbon. This was as excellent as Margaret and David have reported. A very grim story with sinister undertones of malevolence in the children and adults of a small German village. Filmed in black and white, the story was set during the period just before the first world war.

This is nothing to do with films, but we also went to see Big Mother, the newly acquired exhibit at the Art Gallery. It is absolutely amazing in that it is so incredibly lifelike. We loved it. It stirred all sorts of emmotions though - a degree of horror, affection and empathy but also for me a very deep sadness for some reason. Anyway go and see it.

Wednesday, April 28, 2010

My Tehran for Sale



A brave and absorbing film ... unique. I want to see it againEvan Williams, The Australian

4 stars, “…an ode to a city under cultural siegeMargaret Pomeranz, At the Movies


Marzieh is a young female actress living in Tehran. The authorities ban her theatre work and, like all young people in Iran, she is forced to lead a secret life in order to express herself artistically.

At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.

Shot entirely on location in Tehran, MY TEHRAN FOR SALE tells the story of modern day Iranian youth struggling for cultural freedom. It brings to the screen never before seen images of modern urban Iran, and reveals how young Iranian people live behind closed doors.

MY TEHRAN FOR SALE is the first Iranian/Australian feature film collaboration and is the directorial debut of contemporary poet Granaz Moussavi.

Writer-director Granaz Moussavi is an established Iranian poet with several volumes of published verse. Migrating to Australia in 1997 with her family at the age of 22, she went on to graduate in filmmaking and editing. With this debut feature she returns to her native Tehran, employing former friends as lead actors and imbuing her fact-based tale with an angry personal intensity.

Strikingly attractive, if unrelentingly mournful, Marzieh Vafamehr dominates the screen as a dedicated fringe actress (also named Marzieh) who sees a rare opportunity to escape the state’s persecution of her art when she meets Saman (Chegini) at an illegal after-hours disco. He’s a tall, dark Iranian who, through his family’s emigration, now has Australian citizenship.The disco is raided by an outraged militia: “Do you think this is Europe?” one cries, lashing out. Marzieh and Saman start a relationship, become engaged and she begins the lengthy and often corrupt process of applying for a visa to enter the Australian ‘paradise’ that Saman talks about.

97 mins
Rated M
Iranian with English subtitles

Trailers

Tuesday, March 16, 2010

Next screening 'Brides' from Greece, Thursday 14th April



'BRIDES'

Thursday 15th April

6.30pm pre-screening complimentary glass of wine
7.00pm screening of 'Brides'

Greek with English subtitles

Executive producer Martin Scorsese



**** Margaret Pomeranz ***1/2 David Stratton

SYNOPSIS

"……A FASCINATING STORY OF DESPERATE CIRCUMSTANCES AND UNREQUITED LOVE." Jaimie Leonarder, THE MOVIE SHOW

American photojournalist Norman Harris (Damian Lewis) is about to return home to his wife in Detroit, disillusioned with work and life after having his images of the Greece-Turkey war rejected for being "too artistic".

Meanwhile in Samothrace, Greece, a young seamstress called Niki Douka (Victoria Haralabidou) is preparing her bags for Chicago where she is to marry a tailor she's never met. Norman and Niki find themselves on the same ship bound for America.

Norman is travelling first class. Niki is in third class, sharing the cramped space with seven hundred mail order brides from every corner of Greece, Turkey, Russia and Armenia. In heir suitcases each bride carries a photo of her prospective groom and a wedding gown. Sleazy bridal "agent" Karaboulat (Steven Berkoff) is official chaperone or the Russian brides, but he has a secret and sinister agenda for some of his charges...

While the other first class passengers drink and dance the night away, Norman worries about the plight of the brides. But it's the spirited Niki who really catches his eye, his feelings for her are deeper than anything he's ever felt before.


Trailer and review
http://www.abc.net.au/atthemovies/txt/s1469467.htm


Rated PG

Star Box results for Piccolo Italian Film Festival

Lessons on Chocolate - awarded 3 stars by the majority of members and their guests


** 28%
*** 46%
*** 12%
***** 14%







Caravaggio - nearly half the audience awarded 4 stars

* 2%

** 20%
*** 27%
**** 49%
***** 2%